Today I actually managed to get around to working on Sky for a good five hours!Actual story writing as opposed to note organizing. A tiny bit of progress. YAY!
I did so using a new technique that I’ve recently discovered and an old one I’d forgotten.
The new technique, developed to help increase productivity, is called The Pomodoro Technique, so named because its inventor used a red tomato kitchen timer to implement his system. He’s Italian and “pomodoro” is Italian for tomato.
The technique was designed to also investigate where various distractions originated and to provide a means of dealing with them.
I used it pretty much as outlined (click on the link above for the full thing) when I started a couple of weeks ago. There is a free booklet you can download and some official pages as well: a To Do Today sheet and an Activity Sheet.
You list the things you want to do on the first sheet. In the beginning, I listed things like “write a blog post,” “read through all my notes on Sky,” ”transfer information on sheets to little cards,” etc.
Then you set the timer for 25 minutes (a “pomodoro”) and get started. If you suddenly get a thought to go do something else, you are to make a tic mark in the column next to where you listed your task, then decide if the activity must be done right now, or if it can be done later. If later, you note it on the Activity Sheet. If you feel it’s imminent — you absolutely HAVE to order that pizza now – you note it at the bottom of the To Do sheet.
One of the iron clad rules is that you cannot spend more than a minute or two on some distraction so if you do get up and order the pizza, then you have to void the pomodoro and start over, even if you’ve only got five minutes left.
It was in intriguing exercise which made me aware of all the things I kept thinking of doing in the middle of when I was supposed to be writing. Internal distractions the developer called them. They seemed to come rapid fire at first. But because I had the timer on, I stopped getting up to go do them and just noted them on my activity sheet. The more I used this technique, the less internal distractions I had. Plus having a place to note them helped a lot.
After the timer goes off, you place an X in the column next to your task, then take a 3 to 5 minute break to walk about, stretch, visit the restroom, or get a drink. Then it’s back to another pomodoro. . After four pomodoros you get a longer break of 15 to 30 minutes.
It’s not as complicated as it might sound, but it’s pretty regimented and while at first it did a lot to get me back on track, ultimately I rebelled and one day I just couldn’t make myself do any of it and went out to play. I’ve since abandoned the activity sheet, since it’s not all that relevant for me.
I have, however, stuck with the 25 minute increments and the three-minute breaks, the latter because they get me out of the chair and walking around or stretching and that’s good for the body. And the former because I not only have to somehow quantify my task (“work on the book” is not specific enough) but it puts a beginning and an end time to it (as opposed to doing it “until I get tired”)
Before, if I hit a snag there was a good chance I’d just get up and walk out of the room on some inner directed tangent. With the pomodoro, I at least wait until the timer rings before walking off, though even then I haven’t wanted to dive into some other thing.
So that’s the new — modified — technique I used today.
Yes, I know… rules again. But not exactly. I think they’re more just useful guidelines that keep me on track. So for now I’ll keep using them. I have my own “pomodoro” all set up under my computer screen.
A Coin and a Die
The other technique, the one I’d forgotten, was to use a coin to build my characters. I had five male characters who were nothing but names that I needed to be in the scene I am currently working on.
So one of the things you can do and which I had actually made charts for years ago, is to divide characteristics into twos… tall/short, fat/skinny, muscular/frail … then flip a coin to determine the characteristic – eg, heads, he’s tall, tails he’s short. If you have more characteristics than two, like hair or eye color, use a die — assign a color to each number, then roll the die.
It’s a way of breaking through the blankness. As the characters started to emerge, I found myself thinking, “Wait, I don’t want him to have light brown hair, it should be black instead.” Or, “No, he’s not going to have a beard, he’s going to be clean-shaven.” You aren’t bound to whatever the die or coin dictate, but if you don’t care, it’s a way of actually getting something to take shape.
So that’s what I did today using my pomodoros, and my coin and die. I now have five index cards and five characters with a fair amount of definition. Since these are minor characters, I’m not yet sure how big of a role they’ll play so I don’t want to go too far in developing their profiles. For now, I have enough to work with.
Another thing I did, that came out of nowhere, was that as these guys were coming together I started seeing parallels to some of the Avengers, so I decided to just go in that direction and use the Avenger characters as a rough guide for my development. Oh! Horrors! She’s copying movie characters!
Not exactly. I think it was more a general template and lifting one or two characteristics from each. And it was fun. I know in the end it won’t be noticeable, because once they get “real” for me, they’ll take on their own individuality. Besides, they may turn out to have almost no role at all. I have no idea at this point.
All I know is, it helped me work, and as a result I ended up with one guy who’s a techie and another with anger issues. As an additional bonus, those two qualities triggered thoughts about the setting and the situation and suddenly the whole scene — characters, interactions, setting, situation and action — gained richness and substance and direction far beyond what I had when I started.
Oh yeah, and that new laser TSA is going to be using in 2013 — the one that can read your cells from 164 ft and tell if your adrenaline is rushing, and what you ate for lunch and if you have explosive residue in your fingerprint creases? Well that’s just perfect for this scene as well. Only it won’t be a laser, and there isn’t any airport.